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"A 'Whole' Waste of Time"
by Scott Mantz

"The Whole Nine Yards"
Bruce Willis, Matthew Perry
Directed by Jonathan Lynn

You've got it to hand to Matthew Perry. While he's been able to maintain a fresh presence as Chandler Bing on TV's still hot "Friends", he hasn't had much success with feature films. Have you ever noticed that all his roles have been different variations of the same character? In "Fools Rush In", he was Chandler Bing the night club owner. In "Three to Tango" he was Chandler Bing the architect. Now, in "The Whole Nine Yards", he's Chandler Bing the dentist. His pension for slapstick provides for some of the film's finer moments, but otherwise it lapses into a lesson in absurdity that not even the presence of Bruce Willis can save.

Nicholas "Oz" Oseransky (Matthew Perry) is a miserable dentist living in Montreal with his miserable wife Sophie (Rosanna Arquette). Just when his life couldn't get any worse, he realizes that his new neighbor is actually Jimmy "The Tulip" Tudeski (Bruce Willis), a convicted hit man who's hiding out after ratting on his former employers. Sophie convinces Oz to travel to Chicago to rat on Jimmy, and upon his arrival, he meets Jimmy's estranged wife Cynthia (Natasha Henstridge). They consummate their relationship, and when Jimmy finds out, he's understandably peeved . In no time, Oz is in over his head, and the more he tries to get out, the further he gets pulled back in.

After proving his acting chops with last year's "The Sixth Sense", Bruce Willis returns to the type of cocky deadpan role that threatened to ruin his career in the first place. His presence will no doubt serve as an insurance policy to lure moviegoers into theaters, but otherwise he simply walks through his role with his trademark smirk and foreboding attitude. The fact that his bother David co-produced the film probably had something to do with his casting, so let this be a lesson to aspiring filmmakers that nepotism definitely has its drawbacks.

After an impressive turn as the convicted man-child in "The Green Mile", Michael Clarke Duncan lightens up as Willis former partner. His plays well off his co-stars and gives Perry his best chances to get a laugh out of the audience. Kevin Pollack plays a mob boss with an amusing speech impediment that would make Elmer Fudd seem educated by comparison. However, Amanda Peet is the one to watch as Perry's sexy dental assistant Jill. She's caring, nurturing, and flirtatious, but don't let that fool you. It's all a cover so she can realize her dream of being a top notch hitman (or hitwoman).

The film wastes no time in setting up the story, but it also wastes no time in setting up the absurdity. As a result, whatever connection the audience could possibly make is lost from the outset. Never mind that Rosanna Arquette dons a French accent that's pathetically unconvincing. Never mind that Willis does little to conceal his true identity. Never mind that most of the jokes fall flat. The film is filled with so many deplorable characters that the only person you're left feeling sorry for is yourself.

Casting an actor like Matthew Perry is difficult. He has about as much a chance of playing a serial killer as Jerry Seinfeld does of playing an army sergeant in a war movie. That's not necessarily a bad thing, but if you're going to play the role you were born to play, you may as well play it in a movie that it was born to be in. Unfortunately for Perry, this isn't it.

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