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The fact that Eternal Sunshine of the Spotless Mind is an ambitious, spellbinding and fascinating mind trip of a movie is not surprising when you consider that it was written by Charlie Kaufman, the imaginative screenwriter behind 1999s eccentric Being John Malkovich and 2002s multi-layered Adaptation. The fact that the film features what just may be the finest serious performance of Jim Carreys career is surprising, especially since it comes so soon after his manic, over-the-top turn in last years divine comedy Bruce Almighty. Thats because for the first time since 1998s The Truman Show, Carrey delivers a convincing dramatic performance without drawing too much attention to the fact that hes giving a dramatic performance (like he did with 2001s manipulative sap-fest The Majestic). Actually, thats just the tip of the iceberg for a movie thats sure to land on my Best of list at the end of 2004 (yes, I know the night is young, but I trust my instincts). Thanks to solid casting, a challenging structure and a provocative message, Eternal Sunshine is a cerebral, bizarre and ultimately rewarding cinematic experience that holds up under repeated viewings.. When socially awkward Joel (Jim Carrey) discovers that his free-spirited girlfriend Clementine (Kate Winslet) had their tumultuous relationship erased from her memory, he decides to go through the same procedure to have her erased from his memory. Thats easier said than done, and when Joel regrets his decision by trying to escape with his memories intact, he realizes that getting someone out of your head is a lot easier than getting her out of your heart. Try to imagine what would happen if Charlie Kaufman penned a big screen version of a story by identity-challenging writer Philip K. Dick (Total Recall, Minority Report, Paycheck), and you get the idea of where Eternal Sunshine is going. As with his previous movies, Kaufman captures the chaotic beauty of an identity crisis from the minds point of view, but this time around, he also asks some life-affirming questions. Among them, if you knew that your passionate relationship was doomed to fail, would you still get involved? More importantly, what, if anything, would you do to change it? After missing the boat the first time around with Kaufmans Human Nature, director Michel Gondry nails it with Eternal Sunshine. What follows is a love story thats told in reverse, but with a trippy Alice in Wonderland-style sensibility to it. Joels more recent memories with Clementine are unpleasant, but the further back he goes, we see him try to hold onto the more pleasant memories while they quite literally disappear before our eyes. The process is fascinating to behold, and the non-linear structure is effectively pieced together like a cinematic Picasso painting. Unfortunately, the film is not without its flaws. For one thing, Joel and Clementine are clearly incompatible together, but one still has to wonder what they saw in each other in the first place. In addition, Gondrys cold, somber tone is a stark contrast to the films warm, passionate message, and the impressive centerpiece of the movie the memory elimination sequence drags on a little too long to the point of self-indulgence. (There is also a huge, gaping plot hole, but sadly, it cannot be revealed here without spoiling a key plot twist in the story.) Jim Carreys serious, understated performance is laced with comic undertones, which, to his credit, puts him in the same league as Bill Murray in Lost in Translation. Its also refreshing to see the normally serious Kate Winslet play someone who is so impulsive and feisty, but she also injects her character with an ample amount of depth and insecurity (not to mention a rainbows choice of hair colors). Though the supporting cast is a bit underdeveloped, Mark Ruffalo, Elijah Wood and Tom Wilkinson bring quirky effectiveness to the team of technicians erasing Carreys memory, while Kirsten Dunst brings her usual sexy vulnerability to her characters surprising (and somewhat jolting) plot-turning developments. Eternal Sunshine of the Spotless Mind may not be for everybody (lets face it, neither were Being John Malkovich and Adaptation), but if you like sophisticated, ambiguous and riveting mind trips that will stay with you for days, then this one is for you. But more than anything, the film also serves as a reminder that from here on in, the sun will shine very bright on Jim Carreys career as a serious actor. |
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