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"Wild 'Pitch'"
by Scott Mantz

"Pitch Black"
Radha Mitchell, Vin Diesel
Directed by David Twohy

Well, as much as I hate to admit it, it's official--sci fi is dead. After years of disappointments, I have yet to see anything substantial to change my mind about this unhappy conclusion. With the notable exception being "The Matrix", there hasn't been one decent science fiction film that's been worthy enough to stand up to the classics. While box office smashes like "Star Wars Episode I: The Phantom Menace" and "Armageddon" sold hoards of action figures and tons of popcorn, they didn't offer much in terms of creativity, intelligence, or thought-provoking stories. Even less successful films like "Supernova" and "The Relic" were merely repackaged versions of much better films. Well, you can add another film to this list. While "Pitch Black" offers plenty in terms of cheap thrills and jolting scares, there's little else to justify it as a worthy moviegoing experience.

Sometime in the not-too-distant future, a spaceship crash-lands on a barren planet . The survivors, including pilot Fry (Radha Mitchell), lawman Johns (Cole Hauser), and religious Imam (Keith David) must find water in the intense heat and barren wasteland if they are going to stay alive, much less get off the planet. Further complicating matters is a Riddick (Vin Diesel), a superhuman prisoner who they are forced to release, since he has nowhere else to go. They find an abandoned colony whose inhabitants were killed by flesh-eating bat-like creatures who come out only at night. They're safe as long as the 3 suns are shining, but a coming total eclipse will thrust the planet into darkness, freeing the bats from their cavernous dwellings. The survivors must battle the elements, the aliens, and each other if they are to stay alive and escape with their hides intact.

One of the things "Pitch black" has going for it is its hip cast. The beautiful Radha Mitchell is the tough-as-nails leader who resembles Sigourney Weaver's Ripley from the "Alien" films. Vin Diesel is the controlled superhuman killer who's only out for himself, but he knows that he is doomed without the help of the other survivors. He's cool, confident, and intelligent, and he actually remains likable even though he can turn on his captures at any minute. Cole Hauser starts off charming enough as Diesel's lawman, but he holds a secret that brings his heroism down to the level of humiliation.

Other than that, "Pitch Black" succumbs to the same clichÈs that have brought down countless other horror and sci fi B-movie flicks. When will people learn that they have to stick together and not wander off in the face of undefeatable odds? Haven't they seen "Scream" enough times to know that the moment one person goes off on their own, they're done for? We never really get a good look at the embracing bat-creatures, but we see enough of them to know that they pale in comparison to the ones in "Aliens". The freaks come out at night, so what the heck were the survivors thinking when they decided to venture out into the dark to commandeer an abandoned spaceship? Oh, and one final bone of contention--just why did Cole Hauser have to pick a fight with Vin Diesel with thousands of bats flying around overhead, ready to pick them off like corn on the cob?

"Pitch Black" takes itself too seriously to give moviegoers a good ride. Had it been done in the style of, say, "Deep Blue Sea", which was a B-movie that knew it was a B-movie, then it could have been a lot more fun. Unfortunately, that's not the case. So, I stick to my theory--sci fi is dead. Can there possibly be anything on the horizon to make me (happily) change my mind? Let's see. "Mission to Mars" looks like a blatant rip-off of "2001: A Space Odyssey". "Red Planet" was pushed back from Summer to October, which is never a good sign. Finally, George Lucas has announced that he will direct "Star Wars Episode II". Oh well, forget I brought it up. Rest in peace sci fi.

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